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Maria Callas & Swarovski

Jewels on Stage
The Metropolitan Opera, New York City, 2007

Michael Hammers has a wide and deep artistic intuition and talent. All he is doing is unbiased and endowed with soul and passion. And he makes spagetthi al limone to die for.

Lothar Koenigs, Conductor

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Jewels on Stage - Maria Callas & Swarovski
An exhibition seen by millions of visitors
Dottore Rinaldo Albanesi, creator of the exhibition “Maria Callas and Swarovski – Jewels on Stage”, experiencing for the first time Michael Hammers´ “magic vitrines” at Michael Hammers Studios, Germany, 2006
Rinaldo Albanesi
Dottore Rinaldo Albanesi, creator of the exhibition “Maria Callas and Swarovski – Jewels on Stage”, experiencing for the first time Michael Hammers´ “magic vitrines” at Michael Hammers Studios, Germany, 2006

‘Maria Callas and Swarovski – Jewels on Stage’ is the title of an exhibition created in 2003 by Dottore Rinaldo Albanesi, Vice-President of Swarovski International at the time. In 2006 the stage jewellery displayed had already been seen by more than two and a half million visitors.
Michael Hammers was asked to think about a conceptual expansion and special development of its content related to the 30th anniversary of Maria Callas’ death in 2007. “I got a call” is how Michael starts every time you ask him to tell you about a project. All right, Michael got a call! “...Let me tell you, getting the possibility to work on this was my godsend. I love music, the opera, song. I know the smell of a stage, everything that makes it its own world…and I already adored Maria Callas for her artistic life, a life without compromise.”

From the infinity of the cosmos
Michael Hammers created different graphic arts for his art house movie “From the Infinity of the Cosmos” – here he uses Maria Callas´ gaze as “Norma” to express the infinity of her stage reality
“Maria Callas – From the Infinity of the Cosmos” graphic art by Michael Hammers
Michael Hammers created different graphic arts for his art house movie “From the Infinity of the Cosmos” – here he uses Maria Callas´ gaze as “Norma” to express the infinity of her stage reality

Michael threw himself into it all and got a hold of everything he could about Maria Callas. “Yet, where the other person should be, for me there’s an infinity in the cosmos, And it is from that point that you sing” is how the poem ends that Italian writer and director Pier Paolo Pasolini had dedicated to Maria Callas after experiencing her on stage.
It was Michael’s inspiration for an art-house film expressing his notion of the last minutes before Maria Callas died, alone in Paris, long before cast off by Aristoteles Onassis, her true love. “Her life was just a tragedy. I started holding her hand envisioning what she had, facing her life passing to death in 1977”. Michael composed a piece of music for a cello solo and made it part of his short movie “From the infinity of the Cosmos”, also using footage of growing water crystals by Dr. Masaru Emoto, who remarkably microscope-filmed a water drop “listening” to Maria Callas singing.

“Thank you for all you gave us from your heart.“
close up of  Maria Callas stage jewel as “Fiorilla” in Rossini´s “Il turco in Italia”, displayed by Michael Hammers´ “magic vitrines”  for the exhibition “Maria Callas and Swarovski – Jewels on Stage” at the Metropolitan Opera House, New York City, 2007
Maria Callas' stage jewel as “Fiorilla” in Rossini´s “Il turco in Italia”
close up of Maria Callas stage jewel as “Fiorilla” in Rossini´s “Il turco in Italia”, displayed by Michael Hammers´ “magic vitrines” for the exhibition “Maria Callas and Swarovski – Jewels on Stage” at the Metropolitan Opera House, New York City, 2007

Michaels’s team created “magic vitrines”, displaying some of the most delicate jewellery in a manner never before seen. His Studios sculptured individual, three-dimensional busts just out of the thinnest stainless wires and set the jewels as if they were hovering. The fronts of the vitrines were made of special art-glass panes, showing Maria Callas wearing this jewellery while acting. “The vitrines have an inside lighting, when the light is off, you only see the picture, when the music starts, the lighting control reacts with the music staging the jewellery and that is when you can see through the image into the infinity of Maria Callas’ stage reality…” says Michael.

The exhibition was installed in January 2007 at The Metropolitan Opera House in New York City and there was a wonderful opening reception. Michael was given the honour of introducing the exhibition to Mercedes Bass and at the dinner Markus Langes-Swarovski ended his speech with this toast: “Thank you Michael, for all that you gave us from your heart”.

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Michael Hammers´ “magic vitrines” display Maria Callas´ stage jewels in a most delicate, hovering manner – here the vitrines stand in a row at Michael Hammers Studios´ assembling hall, ready to go on with the lighting control which on the end interacts with the sung of Maria Callas Michael Hammers´ “magic vitrines” display Maria Callas´ stage jewels in a most delicate, hovering manner, positioning the jewellery by nearly invisible hairlines and covered by especially developed transluscent art-glass – here a staffer is standing on a ladder working on the magic “Tosca” vitrine Michael Hammers´ “magic vitrines” display Maria Callas´ stage jewels in a most delicate, hovering manner, positioning the jewellery by nearly invisible hairlines and covered by especially developed transluscent art-glass – here a staffer is kneeing in front of a vitrine trying to find the right positioning of the lines Michael Hammers´ “magic vitrines” display Maria Callas´ stage jewels in a most delicate, hovering manner, positioning the jewellery by nearly invisible hairlines and covered by especially developed transluscent art-glass – here a staffer checks on the quality of one of the art-glasses Michael Hammers Studios developed customized art-crates for global shipment of the exhibition Michael Hammers´display of Maria Callas´ historic stage jewellery as “Elvira” in Bellini´s “I puritani” Michael Hammers´ “magic vitrines” display Maria Callas´historic stage jewels in a most delicate, hovering manner – here one staffer is holding parts of the historic stage jewellery of Maria Callas as Bellini´s “Norma” into the light of the vitrines to get a first feeling how to place them Michael Hammers´ “magic vitrines” display Maria Callas´stage jewels in a most delicate, hovering manner, positioning the jewellery by nearly invisible hairlines and covered by especially developed transluscent art-glass – here two staffers are checking on the visual impact of this staging of the “Tosca” jewellery Michael Hammers and the MET´s archivist Robert Tuggle talking in front of Michael Hammers´ performance of Maria Callas´ historic stage jewellery as “Amina” in Bellini´s “La sonnambula” Michael Hammers´ “magic vitrines” display Maria Callas´stage jewels in a most delicate, hovering manner, positioning the jewellery by nearly invisible hairlines and covered by especially developed transluscent art-glass showing Maria Callas wearing the jewellery – here as “Fiorilla” in Rossini´s “Il turco in Italia” “Maria Callas and Swarovski – Jewels on Stage” – Metropolitan Opera House, New York City, 2007 – behind the scene Michael Hammers´ display of Maria Callas´ historic stage jewellery as “Amina” in Bellini´s “La sonnambula”
Swarovski Celebrates Maria Callas; Thakoon Fêted at Maurice Villency style.com
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Opera Diva Maria Callas' Jewels On Display At The Met ny1.com
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Maria Callas stage jewelry shown at NYC’s MET grhomeboy.wordpress.com The Metropolitan Opera’s Tosca Glitters metoperafamily.org Maria Callas’ Bling at the NYC MET (yah, I know “bling” is sooooo very 2001, deal with it) operachic.typepad.com Maria Callas's Stage Jewelry Exhibited at Vienna State Opera andante.com Crowns and jewels that gave Callas extra sparkle independent.co.uk back to overview
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